Booker Prize: Why 2020 shortlist is unique

The waitlist of the current year’s Booker Prize has quite recently been declared. The six shortlisted chosen people reported today are:

Diane Cooke (USA) The New Wilderness; Tsitsi Dangarembga (Zimbabwe) This Mournable Body;  Avni Doshi (USA) Burnt Sugar;  Maaza Mengiste (Ethiopia/USA) The Shadow King; Douglas Stuart (Scotland/USA) Shuggie Bainand  Brandon Taylor (USA) Real Life.

Beside Dangarembga all the authors are either from the US or hold joint US citizenship.

This follows the earlier release of 16 shortlisted authors in July, which were selected from 162 novels published in the UK or Ireland between 1 October 2019 and 30 September 2020.

The winner of the £50,000 award will be announced on 17 November.


Booker Prize: Why 2020 shortlist is unique

Reporting the chosen people, Margaret Busby, Chair of the 2020 judges, stated, “As judges, we read 162 books, a significant number of them passing on significant, now and again uncannily comparative and perceptive messages.

“The best novels often prepare our societies for valuable conversations, and not just about the inequities and dilemmas of the world − whether in connection with climate change, forgotten communities, old age, racism, or revolution when necessary − but also about how magnificent the interior life of the mind, imagination and spirit is, in spite of circumstance.

“The shortlist of six came together unexpectedly, voices and characters resonating with us all even when very different. We are delighted to help disseminate these chronicles of creative humanity to a global audience.”

Anyway the current year’s waitlist, a gala of artistic pleasures, has some exceptional highlights which make it stand out.  Aside from the way that it is the most differing line-up in the prize’s history one thing that is so unique about it is that US and African writers rule it, as it includes just a single essayist, a New York-based Scot, from Britain or Ireland.

Another extraordinary component is that in addition to the fact that four debuted writers – Diane Cook, Avni Doshi, Douglas Stuart and Brandon Taylor – make the rundown, it likewise includes four ladies and four free distributers.

“We were not checking people’s Visas requirements or passports, we were looking at the books … We know each book passed the eligibility process  … We were not conscious of if someone was British or not, we were looking at the books. In the end we ended up judging on the basis of what we thought of the books we were given, not on nationalities,” Busby added.

Still, Gaby Wood, literary editor of the Booker Prize Foundation, also maintained: “No one wins the Booker prize because of who they are. A book wins because of what it does,

“What has transpired is a testament to the judges’ faith in – among other things – first fictions: they have found these writers to have much to say, and found them to have said it in a way that became even richer on a second reading.

“Every year, judging the Booker prize is an act of discovery. What’s out there, how can we widen the net, how do these books seem when compared to one another, how do they fare when re-read? These are questions judges always ask themselves, and each other,” Wood explained.

Booker Prize Why 2020 shortlist is unique

Dangarembga,  author of This Mournable body and  a Zimbabwean was recently arrested in Harare during a peaceful protest against corruption and is due in court on 18 September.  Her book is a sequel  to her 1988 novel Nervous Conditions, which tells the story of a woman trying to make a life for herself in post-colonial Zimbabwe.

Mengiste’s novel, The Shadow King, tells the story of the ordinary people who rose up during Italy’s 1935 invasion of Ethiopia. He is the first Ethiopian writer to make the Booker shortlist, after rules were changed in 2014 to allow any writer writing in English and published in the UK to compete for the award.

Cook’s The New Wilderness, is about a mother trying to keep her daughter safe after an environmental disaster. Doshi’s Burnt Sugar is about a toxic relationship between an adult woman and her ageing mother; Taylor’s Real Life,  is a campus novel tackling racism and homophobia; while Stuart’s Shuggie Bain, tells the story of a childhood blighted by poverty and addiction in 1980s Glasgow.

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